It Ends…

And then it’s all over…

Just like that it ends.

No fanfare, no marching bands, not even a wee advert in the Times court announcements.

One moment you are knee deep in murder and mayhem, and then ‘poof’ you’re not!

All of sudden you’ve finished the latest instalment of Amy and her sufferings, the current narrative has run its course, a new chapter beckons.

Amy Grace Volume 2: Magic has been written.

300+ pages taking in revenge and retribution, the hollow yet compelling need for vengeance, and the mercy that is a second chance to right a previous callous (if understandable) wrong.

It all happens in this volume.

We have magic, we have mythical forest creatures seeking assistance to save themselves from the vicious fairies that are hunting them to extinction.

We have a mad man murdering women in a cave to summon a deity that refuses to answer.

We have his unbelievably cruel and sadistic sidekick, who hates women especially prostitutes…

We meet women trapped in prostitution, women (young girls) that Amy rescues.

We have a love that blossoms and we have its tragic loss.

We have evil folk, cruel and sadistic people who do as they want merely because they can – oh and because they enjoy it!

We have young Amy seeking to right innumerable wrongs, trying to take on a rich and powerful railway family of California and their two equally sadistic children.

Amy is doing all of this, and more, while trying to survive a ransom placed upon her head and the many mercenaries keen to collect it.

And running throughout the story we have magic, lightening that needs to be ridden and a lost love mourned.

Magic is a worthy successor to Thomas Payne, a rollercoaster ride taking Amy and Ariel across America and the length of California, new adventures taken, new friends made and old ones revisited.

When you read it, I hope you like it.

Bain sult as an turas!

Tipping Point.

What is the cross over moment, between people back-slapping enthusing your ambition, and then quietly, politely, disappointedly, lamenting your lack of success? 

Oh, your wring a book – awesome, follow your dreams dude, go for it!

Then…

Oh, not been published then – why, isn’t it any good???

Or the classic…

Let it go dude, it was a pipedream, you tired, you failed – FFS move on!!!

Ah, the joy that is scribbling tall tales from the depths of your imagination, and the struggle to have other people (paying people) read them!

It would be nice, really nice, for my enthusiasm to be rewarded, acknowledged even with a positive reply from an agent. But, until that fateful day we keep scribbling away, hitting the keyboard with the unrelenting enthusiasm of a steroid filled gym bunny – one more try, one more attempt…   

Amy Grace Volume 2: Magic is now close, very close to being finished. 

This tale discusses the futility of vengeance, the hollow nature that such an act brings, the morality of prostitution… 

This is a tale that takes you through an ancient wood, populated by a dying species, that seek the help from a passing warrior, the help that she gives, and the fairies that she kills.   

We dip our toes into murder mayhem and lost love, the empty desolate space that is a lost love… 

Oh, and through it all we delve into the realms of magic, the good stuff, and the very bad stuff. 

To paraphrase, volume 2 isn’t just your average ho-hum everyday fairy-tale – it is more, so very much more*.   

So, when its available, I hope you obtain a copy, and most of all I earnestly hope that you enjoy the ride!

 

*it helps if you’ve read volume Thomas Payne.

Re-Write…

Ah, the untold joy of the re-write! 

The endless task of correcting this, and clarifying ‘that’; a refuge taken when I should be writing a 500-word distilled synopsis of the 130,000-word tale of Amy Grace and Thomas Payne.  

I think I’m suffering from creative defensiveness.  

Every twist, every turn in the book, I wrote them because they add value depth and richness to the story, and trying to create a pithy synopsis, that sticks just to pertinent points, is harder than it sounds. 

What are the pertinent points?

What do you omit? 

Do you (as I fear) run the risk of summarising the plot in too simplistic a manner? 

Does the whole story just become “girl travels world to seek revenge”? 

Yeah, I know, first world problems and all that self-indulgent kinda thing. 

But, here I am happily taking ‘volume 2’ into San Francisco, yet painfully failing to create this one-page synopsis for ‘volume 1’. 

And why you ask do we need a synopsis?

Ah, that is because yet again we are touting our wares, pimping our creation, offering up for sale our labour, and trying very hard to meet the required criteria of a very crammed and competitive market place. 

It is the perennial struggle to convince busy people that my offering does indeed have (commercial) value, to provide what they want, what they need, in order to filter Amy from the chaff. 

She deserves the best opportunity for her tale to be told, and for such a justice to happen, I need to create this superb captivating synopsis that engages and captures the attention of the targeted agent. 

Bugger, I need an agent to talk to other agents on my behalf!

So, anyway, this red-haired young woman travels the world and kills some people…

Sisyphus’s Burden – An Opening Line..

Sisyphus, Greek fellow, the inspiration for my first foray into writing.  What created this scribbling frenzy was a programme on BBC Radio Four, where the panellists’ waxed lyrical about what they considered to be the best opening lines, and to be fair, what caught my ear wasn’t the books from which they were quoting (the usual suspects), which were by and large excellent books, but that the opening lines themselves, which in isolation, weren’t exactly all that inspiring.  And, therein a spark became a something, that in turn became my first attempt to write a story.

I started with an opening It wasn’t a cliché…

And then I kind of just meandered into a paragraph, and then a page, and well you can guess how the rest of it all develops.

The story itself evolved out of a reaction to the proliferation of ‘warrior porn’. You know, the memoirs of the pivotal killing machines, ALL snipers in Seal Team 6?!? These reluctant heroes, who despite their presence in theatre, neither Iraq, or indeed Afghanistan, were resounding successes for the coalition forces – with such killing machines on our side, who’d have guessed?

Oh, for the absolute avoidance of any possible doubt, I am NOT belittling any genuine heroic events – my total and unreserved respect goes out to those people who did heroic things.  My frustration, my objection is with the telling of the tales by those who somehow weren’t…

So, I thought to myself how about writing a self-confessed bit of honest fiction?  You know, a real and genuine tale of human failings, insecurity, and all that kind of stuff – and, so, I did, and my first sad story “Sisyphus’s Burden” was written.

I should have stopped there, I should have, but I didn’t, and from a Greek perpetually pushing a rock up a mountain in Afghanistan (Sisyphus’s Burden) we ended up with an angry vengeful woman flying around the world killing people (Amy Grace) – oh, and tales of unrequited love and yet more murder (The Big House) and loneliness and isolation (The Diary of a Nobody).

A happy puppy dog story, about finding a lost balloon, and drinking celebratory lemonade may follow – maybe, but until then, we’ll just keep plodding along with the above, and see how it all pans out.

Swimming Pool

You climb to the top, drag your body up the millions of vertigo inducing steps, to stand looking down at the tiny chlorine filled puddle of water – now what? 

You want to jump, you really do. 

Yet, fear of so many things keep you firmly away from the edge. 

You swing your arms back and forth, rocking from left foot to right, trying to create momentum to take you forward to the concrete edge, past it, and into the abyss of the known unknown.  

But, despite all the deep breathing, arm swinging, foot swapping, you are as far from the edge as you’ve ever been. 

Friends, confidants, little sayings on calendars, they all tell you to do it, that you’ll be okay – that you should jump.

Ignoring your passion is slow suicide!

Burying your talents in a field for fear of failure – you can recall a parable about that, you are sure you can…

Swinging arms, hopping feet, deep breathing…

You ask for signs, look for totems of assurances from the gods, from karma, the cosmos; then you seek second opinions, validation of the first sign, and the second – maybe you should just make sure, to be sure, after all what if you are wrong, what if you fail?!?! 

Swinging arms, hopping feet, deep breathing…

You know it’s not the critic that counts, that it is all about the doer of the deeds, you love that Roosevelt ‘Man in the Arena’ quote, yet…

If you never jump…  well you know how that plays out. 

Swinging arms, hopping feet, deep breathing…

You are currently living the foot hopping life – you’ve always been living the left right foot hop. 

So, why do you want to jump, what is it you are looking for, what are you trying to achieve?

It can’t be fame or fortune, they are transient whims so easily lost, if you are to gamble what is it you are trying to win? 

And, despite your lifelong love of words you cannot dig from your lexicon words to articulate the hunger, the need, the primal desire to jump. 

Yet fear is easy to describe; swinging arms, hopping feet, deep breathing…

And then…

You fall forward, legs almost buckling under your weight, the concrete disappears, and the air rushes past your body as you plummet downwards.

But, you are not falling, you are flying.  Flying down towards your fear, towards your dream.

Chlorine smells strong, the water warm, the splash painful, the joy exhilarating, the euphoria of jumping intoxicating.

You are climbing before the water has fallen from your body, jumping again and again, the thrill never diminishing, never changing from one jump to the next.

You don’t need validation, witnesses, scores held on cards above heads – your glory is personal, maybe shared with friends, but held next to a pumping heart, not a cold and timid soul who knows neither victory or defeat!

 

 

 

 

 

 

 

 

1:4

Writing for work, applying for jobs, flying the kite of your CV is a difficult and nervous time.  A path familiar to almost all, the pains and the pitfalls well known, and better documented by innumerable others. 

Yet, here I am writing about the continual struggle to hook a bite.  Applying for any job involves time and effort on behalf of the applicant, hope and dreams of possible success attached to each and every application…

And, we get so few replies, so few acknowledgments of rejection, silence is the preferred option by so many:  if you don’t hear from us…

I understand, I even sympathise to a point. 

But, without deluded optimists sending scripts, the industry would die. 

Disillusion, disenchantment and complete apathy can quickly take root, and you wonder how many truly great novels have died under the frustration of silence?   

A one line, “thanks, but no thanks…” shouldn’t be too hard to send, should it? 

I think I get about one reply in four, and that’s poor by any standard. 

That so many don’t’ send acknowledgements, or indeed rejections, and in any industry, any walk of life, is poor, rude even.  

So, anyway, here I am, reading biographies, looking at websites, debating if we are a suitable match, my book – your agency, and preparing to send off the next tranche of earnest applications… 

Wish me luck!

Self – Indulgence

Writing is a self-indulgent, ego pandering, pastime.  You can write whatever you want, create whatever scenario your imagination can conjure – except sometimes you can’t…

It’s often said that ‘it’s not the critic that counts…’ and there is a genuine truth in that.  But, without feedback, without a reaction to what you’ve typed, what are you doing it for?  Without external validation, you could sit all day typing ‘all work and no play makes jack a dull boy’ and nobody would know – or indeed care!   

So, your fragile bloom sends out scripts for review.  You are lucky, you have people you trust, folk who will be honest, so that flattery, if given, will be meaningful, but, also, that if criticised, that it too will have merit.

Flattery is always nice, to be told that someone enjoyed your scribbles, that it took them on an enjoyable page-turning adventure is the best you can hope for.  But, when you fail, when the quality isn’t what it should be, then you need to be honest enough to genuinely accept it! 

The story in my head doesn’t always make it into print – at times I miss out sections, assume I’ve made myself clear, so, when it’s pointed out that the ‘flow’ just isn’t there, then I need to correct the errors – shoot the script writer, not the critic!

Hobby

As hobbies go this one is kind of consuming. 

Talk to people who play golf, and once a week (maybe) they trundle out and hit a little ball with expensive sticks; or indeed talk to people who follow football, and once a week they sit and worship at the altar of whatever team they follow…

And then there’s me. 

Every day. 

Every day, without fail or respite, I’m typing away. 

Pushing a story forward. 

But doing this ‘every day’!!! 

I’m either very committed, or very much in need of committal – and at times, I’m not too sure which one is correct! 

I cannot even absentmindedly stare into space – because even when looking out of the window, drool dripping down my chin, I’m thinking about plot lines, rewriting existing passages…

And to what end?

Why am I doing it?

I’m plodding along for two reasons, the main and overriding one being that I’m happy typing away, telling tall tales, seeing where my imagination can take me, and the secondary, is that at some point in the future, ‘others’ will share my enjoyment.

So, until the ‘others’ arrive, I’ll keep plodding along, typing words of peril and words of adventure.

After all, everyone needs a hobby…

Who?

Who is Amy?

She’s Tank Girl meets Lisbeth Salander.

Well that was the intent.

She was intended to have the irreverence and anarchy of Tank Girl, with the vulnerability and grit of Lisbeth Salander, all be it in a quasi steampunk setting.

Did she become the intended hybrid, or did she develop into something else, something more? I’m not attempting to claim any equivalence (or endorsement) with these two female icons, but I am attempting to point people towards pop-culture reference points, from which they can start to create an understanding of young Miss Grace.

I wanted to create a no nonsense strong female lead, a character that wasn’t all heaving bosom, fainting and being rescued by square jawed men.

So, that is the genesis of young Miss Amy Grace, maybe it’s a good and reliable steer, maybe I missed the target by miles – guess you’ll have to spend the £19.99 for the limited hardback folio edition to see if I achieved my aim…

Name Dropping..!

I was reading the blog from another writer – do I name drop? If I do, will it mean anything, after all I was only reading their blog, it’s not as if I’d be saying something like ‘George, oh, yes me and George (Clooney) are hip’ – which we’re not, never met the bloke, his wife, or indeed any of his entourage, never even met a look-a-like…

Anyway, the blog I was reading, the writer was trying to explain the attachment they had to their characters, the connection that was somehow almost real, something very personal, akin to a friendship, and it struck a very real chord with me. I got where they were coming from, be their character a despicable axe murderer with a penchant for dressing in the skin of their victims, or a lifesaving saviour for mankind, the attachment is still the same.

I’ve been typing about young Miss Amy Grace for a few years now, and I’ve put her through some near intolerable situations, she has suffered some unspeakable pains, and all at my hand. I’ve typed darkness that has been beyond black, yet she has emerged time and again, and continued to move forward, never been stopped, never beaten.

If I met her would I like her, would she indeed like me, or would she cut off my hands so that she could stop the suffering that I keep piling upon her tiny frame? Academic, I know because she’s only a character in my imagination, a person who exists on page and paper, but sometimes I sit and I wonder what would Amy do…?

When (eventually) she becomes part of someone else’s imagination, when somebody else gets to read about her trials tribulations, her loves and her losses, will I feel jealous, that a relationship that was for so long just the two of us, is now a shared story? Or, will I be the proud parent, watching the little bicycle, without its stabilisers, trundle off down the lane?

I hope I feel the latter, I hope that when others encounter young Amy Grace, that they too feel warmth towards her, sympathy for her plight, and genuine hope that lasting happiness is just around the corner.

She is my character, I like her, and I hope when you meet her, that you like her too, because she has earnt it, she genuinely has!