(3) The Magic Number

It’s three, we all know three is indeed the magic number, De La Soul told us so.  Indeed, some of us with a Pythonesque bent also know that the number of ‘the counting shall be three,’ not two, nor indeed four – three is indeed the number of choice!

So it goes too with my applications. 

I try to keep three plates spinning, irons in the fire, horses saddled or whatever your image of choice is – I try to keep it at three.

Some, I hear, follow the love bomb maxim, and opening the Writers & Artists Yearbook, they start at ‘A’ and ping away to all until they get to the end of ‘Z.’

As I have yet to find success with my method – I’m in no position to criticise anyone who follows an alternative – if it works, good for you.    

My approach is slow. 

Methodical, scrupulously catalogued and recorded, but slow.

My first application back in 2016 was a nervous affair.

I sent my pitch to one agent, just one agent and I waited, and I waited… eighty-two days later they replied with a very polite (and generic) NO.

I then went into a naval gazing tailspin of introspection and critical analysis as to why my agent of choice would say NO, I mean how could they, the project is pure brilliance…?

All scribblers must go through similar contractions, all must fight off the clinging monkey of self-doubt, all must then try and correct the imagined wrongs.

This I’ve been doing ever since.

Must be the pitch – change it.

Nope, it’s the one-page synopsis – rewrite it.

Is it the pithy biography?  Not too sure – change it.

Ah, it must be the opening pages, they don’t pull you in, the burn is too slow – major rewrite completed.

Admittedly the applications I ping off now are immeasurably better than version #1 – and so they should be, but still despite the shots fired I’ve still to hit home.

Social media is littered with writers who tell of years upon years trying to succeed with their project only to be rejected/ignored time after time – yet they don’t give up, they eventually find success.

One yes is all it will take.

So, keeping the magic number at three and second guessing where each application fails, I will amend and adjust as I go.

Just one, it’s all I want, just one YES.

Stay safe – remain sane and always remind the ones that you love that you do indeed love them to the moon and back.

Brevity my dear boy, brevity.

Okay, this missive is different.

This offering a musing on life the universe and just how long should a book be – oh, and what other books is yours (Amy Grace: Payne) like?

That’s a lot to chew.

I remember at school learning the formula for minimising the metal area of a can and maximising the volume of liquid it could hold – all very useful for maximising profit.

Books it seems follow the same rules, all be it with easier maths.

Popular consensus sits as a good work of fiction sitting somewhere between 80,000 and 90,000 words.

Padding is allowed for Sci-Fi or Fantasy novels – to allow for world building, but it is accepted ONLY under duress.

Okay, them are the rules.

So, the above in mind, what books are yours like?

Hmmm.  Can’t be too pretentious, can’t offer anything obscure as nobody will get the reference, but at the same time if I compare with a known and successful book the accusation may be that I’m claiming some sort of equivalence beyond my proven abilities?

Good questions all.

Me, I’ve taken four books as reference, and I’ll briefly explain each as we go.

#1.  A Falcon Flies: Wilbur Smith (176,000 words).

This is a sweeping historic drama dealing with cruelties of slavery with a strong female lead – Dr Robyn Ballantyne.  We deal with dark subject matter AND a man writes with a female lead. 

#2.  The Alienist: Caleb Carr (152,000 words).

A good historic crime drama dealing with the unpalatable themes of child prostitution and murder.  Sold by the hundredweight – as repulsive as the theme was people read and enjoyed it.

#3.  The Girl with the Dragon Tattoo: Stieg Larsson (116,000 words).

A superb noir tale with an incredibly strong female lead.  We have rape, murder and torture – but still this book sold and sold and sold and sold…

#4.  The Clan of the Cave Bear: Jean M. Auel (123,000 words). 

A strong female protagonist who grows in self-reliance as the tale progresses.  An initial offering that spawned a whole series – one woman finding her way in the world. 

The keen eyed amongst you will have noted two things.

One – ALL the books come in over the (arbitrary) figure of 80-90,000 words, and ALL have very strong female characters. 

Is that a chip on his shoulder?

I think it’s a bee in his bonnet!

Amy Grace: Payne comes in at 130,000 words. 

It takes that many words, because that’s how many words it takes to tell the tale. 

I could trim it down like a blockbuster film being shown on terrestrial TV – but we all know that these versions are never as good as the cinema showing. 

To meet the 90,000-word upper limit I’d need to drop 40,000 words.

At 250 words a page, that’s some 160 pages! 

That’s nearly a third of the novel…

Yes, a good editor will help to improve the brevity, highlight any duplication – but 40,000 words?!?!

What to do, what to do…

The art is good – it is. 

The telling is good – it is.

The tale is at times dark – indeed it is.

There is no Disneyfication of suffering, no exploitation or trivialising of pain – there is instead honesty and heartfelt sympathy.

So, it seems I must continue to rage against the machine – continue to hope against hope that I can convince others of the merit of this told tale.

We can hope.

Down, but not out.

Hug those you love and keep them close – stay safe and remain sane!  

Weird scenes inside the gold mine and other such musings.

So, missive number #166 where are we now, what’s todays update?

Well to paraphrase (for legal and copyright issues) the lyrical genius of Dan No Bacon and Chumbawamba, I’ve been knocked down, but I’m up again!

Down, but NOT out.

Rejections sting. 

They do, and it would be somewhat weird if they didn’t.

Agents get untold billions of submissions every second, for them It’s a struggle to separate the wheat from the chaff, a five or twenty second scan is all I’ll get – pass that cursory glance and my scribbles MAY be read, fail it, and they won’t.

Brutal it indeed is, but it’s the reality of life.

So, we must ask ourselves is it our pitch (the answer is yes by the way), and if so, what can we do to improve it?

Advice, like Splodgeness, abounds and is oft contradictory and counterintuitive.

For every armchair warrior who tells you to be open, chatty and your real self an equal number will tell you that under NO circumstances should you be anything other than cold and professional – just the facts ma’am, just the facts…

Neither are right and both are wrong.

The agent opening the email – I don’t know them, their profile doesn’t say if they drink tea, sip coffee or indeed if they laugh uncontrollably at those videos of goats licking electric fences – so I try to balance between the two almost contradictory diktats.  

So, I’ve licked my wounds (without the flexibility of a cat) and shook myself long and hard.

It’s NOT personal, it’s just the nature of the beast.

Do my best, and after that there is nothing more I can do.

The variables in play are too numerable for me to attempt to control any of them in a meaningful way – all I can do is my best.  Do what I think is the right thing at that specific moment in time – nothing more can be done.

So, that’s it.

Life is plodding on; the world is indeed turning without so much as pausing to acknowledge my pain…

Enjoy the ride – it’s the only show in town!

Stay safe, love those you can and remind them just how much you do.

Ego

As the rejections mount (and they do) self-confidence shrinks (it does).

The project remains the same, the scribbles are titivated here and there, but the tale is still the same.

The tale is still unpublished, is still unread…

Amy has a great journey to take the reader on.

We are NOT a facsimile of something gone before.

Amy isn’t a simpering woman waiting to be rescued.

She is her own heroine – she saves herself!

The magic that flows through her is from the Morrigan, from Badb, from Celtic goddesses.

Amy is flawed, she has depth, she sinks, she nearly drowns in her own sorrow, but she struggles onwards.

We are trying to present a “boy’s own” adventure of courage and resilience full great battles, but also a sensitive tale of emotional trauma and the suffocating struggle towards recovery.

It’s different, but it works. 

The wounds of my ego will be licked.

My battered pride will recover.

I will plod inexorably ever onwards.

Faith can be a painful thing to carry.

Stay safe and try to remain sane!

Internal Monologue

We all have one, sometimes it’s reassuring and affirmative, and sometimes its cruel and direct.

Your book isn’t published, surely that’s because it isn’t any good?

Cold logic.

Okay my mind goes, we’ll concede that some bits are good, that the premise is different, and that the tale isn’t run of the mill, and yes some of the phrasing is sublime – but, it’s NOT published, is it!

Characters may be fully formed independent entities – but no one knows them!

Argue that if you can writer boy!?!?!

I’d like to, but the echo to every defence of my work is always the same “self-praise is NO praise”.

Ah, logic…

Evidence supports the critics, only an obstinate refusal to back down keeps the journey creeping forward.

Passion burns bright, but so too does the frustration.

Not in print, not being read.

In a world where only one score counts, mine still reads a big fat zero.

The third book from the left, that inviting book with its quirky cover, that table near the entrance in Waterstones, that book isn’t mine…  I wish it was, but it’s not.

Not published, not read.

Down but not out…

Stay safe – never surrender your dreams, because without a dream how are you going to make your dream come true?

A Tree Falls.

We all know that one, if it falls does it make a sound without a witness?

In the same vein, does a written character exist if not read?

I want to publish, but I want the very best possible version to be offered.

Is this prevarication to avoid judgement, or a genuine desire to polish my work, or indeed fear of the pounds shillings and pence involved in it all?

I think its a paradoxical unity of divergent forces – that or probably some sort of emotional/intellectual constipation.

I want to, I just can’t…

To professionally edit 130,000 words will cost me c£1,500+.

To get that oh so professional cover, again upwards of £200.

Before we’ve even sold a single copy, I’m £1,700 in debt.

A book will sell for say £6.00, that means I need to sell 250 copies to just break even.

Book one, according to accepted writing lore will sell between 250-500 copies, many much, very much, lower…

So, the two headed snake is one of pragmatism, I can’t take £1,700 out of the family budget just to make me a ‘published writer’ – and the second head is one of emotional desire.  If I don’t do something, find some sort of solution I will, I fear, go slightly insane with the frustration of it all.

First world problems – I know.

So that’s me.

Stay safe, remain sane, and remember to tell the ones you love that you do indeed love them!

Reading Writing and Arithmetic.

So, we plod onwards, ever onwards.

Take a bow.

Research is an indulgence we luxuriate it – nerdiness in the buying of new books justified – winner winner chicken dinner.

Words are added to the narrative, passages grow, and some suffer the cut of the edit.

Pennies are counted, some squirreled away, and some invested in the necessity of a few more books.

Cions are collected, not to fund some sort of bibliophilic orgy, cracked spines and the flicking of virgin pages…. 

Oh, the joy of such events, but alas coins, our coins are not needed to make Lucritia Borgia blush, but to meet the overarching directive – PUBLISH.

The current project, the little side projects that feed our needs, all are subservient to a five foot and two-inch woman from my imagination.

Breath must fill her lungs.

Readers must find her tale!

And it is the balance of all the above that we plod inexorably on.

Movement IS progress.

We no longer focus on the distant mountain peak, no we look with glee as each footfall, every pace taken is accepted as progress. 

Incremental, however small, is progress. 

So that’s me.  That’s the latest update from this teller of tall tales.

Stay safe, stay sane, and love life.

To Pant, or not to Pant, that is the question!

I don’t plan, but then again, surely to some degree I must.

It’s one of those more beard stroking literary subjects -planner vs pantster, and to what degree does one method bleed into the other?

The Pareto principle almost comes to the fore here with 80% saying they plan EVERYTHING on a near scene-by-scene line by line basis. 

The balance of the 20%, is again subdivided into 80% writing broad outlines and 20% not.

This then leaves a pitiful 4% of writers as some sort of white-knuckle lightning riding wide eyed no idea what happens next kid of story telling folks. 

Me, I’m part of that 4% minority.

And, for me it’s kinda worked thus far.

Thus far…

It’s not that I don’t keep notes, keep track of what has happened so as not to trip myself up with repetition or indeed contradictions – I do keep notes. 

I plan little bits, like railway routes, these things are ‘truths’ that artistic license or indeed ignorance discount at their peril.

I had to create a pin map of the USA just to keep track with how Amy Grace was crisscrossing that vast country.

I also have a little subfolder full of Victorian female fashion – a little collection of dresses so that I may adequately describe what my MC is wearing (and why). 

However, now I’m trying to write an epic, a true saga, a leather-bound gold leaf embossed heavyweight charting the adult life of one man, his family, his loves his losses and his eventual (and tragic) death; and I MUST plan!

I’ve wedded my tale to immoveable historic events – ergo I MUST plan how to get from event A all the way to Z. 

It’s just how far down the rabbit hole of planning do I go?

I’m not looking to create a pastiche of Richard Sharpe – that ship has successfully sailed. 

I think that if I stick to the actual timeline and opportunities available, then the need for artistic licence will be reduced, as the actual truth of the events under discussion will be entertaining enough.

I’m starting with the Anglo Egyptian war in the Sudan 1855.  This in itself is a wealth of exciting opportunities – the last time British soldiers went into battle wearing ‘red coats,’ the last full cavalry charge (a certain Mr Winston Churchill no less), an army still manoeuvring across the battlefield in infantry squares, and of course the introduction of the machine gun…

So much available…

Will my little writing sanctum sanctorum become a post it note and string madhouse?


Time will indeed tell, but I’m hopeful that I won’t kill the spirit of free form scribbling, and that I’ll still be able to follow the required structure of history.

This is my hope, my dream.

More books need to be read, gaps in my knowledge need filling, but I hope that the finished book lives up to its promise, and that I can do this project justice.

Stay safe & remain sane!

Opus Magnum

I’ve written a saga in four parts, and it was fun, exhausting, emotionally draining, but immensely rewarding.

Amy Grace has suffered her crime, righted a wrong, and found love. 

All for her is as it should be. 

New adventures are suggested, but for the time being these can wait.

Thrilled beyond measure I am that I did it, and when you get to read it (and you really should), you will be too.

 [Writer takes a bow to polite clapping]

But I want more, so much more.

I’ve always wanted to write one of those novels that are beyond huge, a truly epic historical drama. 

The kind of thing that if Peter Jackson were to film it, he’d have to ask you to cut bits out…  

And I have such a tale in mind.

I’ve been tinkering with it for years.

The Big House is my working title.

The source material is beyond rich, any seed planted cannot fail than to spectacularly bloom.

Were you to be a soldier, a British soldier to boot, then the 1800’s onwards was a true smorgasbord of adventure.

You have the Zulu’s, the Mahdi in Sudan, the Boer in South Africa, the First World War – and as we are writing from an Irish perspective, we also have the collective tragedies of the 1916 rebellion and the catastrophe of the ‘Civil War’ in the 1920’s. 

Cursed to live in interesting times indeed!

If only someone would wrap a tale around all this adventure…

[enter stage left a mild mannered and unassuming writer of tall tales]

This is my aim.  The story already exists – it just needs to be captured and put into print.

So, mutterings will follow on matters military, affairs of the heart (our hero finds love early on) and the poison that is jealousy…

It promises to be a good ride!

Stay sane, love the ones you can, and hold on tight to any happiness!  

Read, rinse and repeat!

All work makes Jack a dull boy.

We all know that one.

Writing shouldn’t be a chore, it should be an act of passion, an act of love.

That doesn’t mean it won’t be hard, can’t be work, but it must come from a near pathological need to tell the tall tale.

Pain can be suffered by both writer and character, can multiply, and run away with itself for protagonist and creator of the prose…

Art is a struggle, a balance between the voices in your head and the limiting speed with which you can type them out and give them life.

The desire to create doesn’t come without sacrifice, without pain and immense frustration, but nothing can reflect to the world if it hasn’t been written.

The great, the good, the charlatans too, all agree that to be a writer you MUST write!

A simple maxim to state, at times a hard one to live.

If new ones won’t come, read, rinse, and improve those that are already there.

And that boys and girls is where I am now.

Read, rinse and repeat!

An old joy has been found; new words may follow…

Stay safe, keep the faith, and remain sane!