Go Big or Go Home

I started writing the first iterations of the Amy Grace adventures many years ago.

Version 1.0 Amy Grace: Khartoum started life sometime around 2015.

The central tale has remained unchanged; the telling has hopefully improved with each review and addition.

I now sit with Amy Grace: Payne (10.1) as the latest version of that original tall tale.

The words we can count, the hours taken to create them, at these we can only hazard a rough guess.

We’ve gone through the full range of emotions, all the highs, and a lot of lows.

Euphoria has shone at the joy of our creation, self-doubt kicked away at my heels and done its very best to try and drag me down.

Yet here we still stand.

We’ve adapted to the feedback from Beta Readers.

Chapter one was rewritten, scenes amended and some deleted.

We’ve had a developmental edit recommend changes – again most of these we’ve incorporated.

Polish polish polish… rinse and repeat.

At some point, now that I’ve firmly taken the decision to self-publish, I’m going to have to do just that.

Its not poor reviews, or indeed any negative reactions that I fear, it’s the NOT offering the very absolute most polished version of this tale to the world that worries me so…

If I fall flat on my face, then so be it, but let it not be due to poor preparation and presentation.

Titivate, titivate.

At what point do I have to just let go?

Statistics tell us that a debut novel (self-published) will sell between 100 – 250 copies.

If I continue with third party assistance (editing/formatting/cover) I will need to sell 400 to break even.

The odds are NOT in my favour.

Bugger.

Bugger, bugger, bugger.

Procrastination is indeed killing me.

Amy Grace: Payne WILL hit the world April 2026.

I will pay for a cover – it was always the plan; copy edit as best I can and then set Amy free into the big, crowded world of KDP published novels.

Maybe she’ll thrive, maybe the world wants to read the tale of a flawed heroine, who gets knocked down, but rises back to her feat every time.

Stay safe, hug those you love.

22 Pages

It sounds like it should be the title to a noir thriller, but it’s not. 

In this case we are referring to the developmental edit for my book “Amy Grace: Payne”, twenty-two pages of notes, observations, suggestions and support.

Like all writers my book has been through the Beta Reader stage more times than you can shake a stick, and to be fair to all involved the feedback has been honest – supportive, at times critical, but always helpful.

The opening chapter has been completely rewritten. 

It was a near universal comment that it just didn’t hit the right note.  Not the subject matter, but the scenario that preceded it. 

Big boy pants, rewrite – success.

Of all the parts of the book, chapter one ‘Arrival’ was the one that has been fussed over the most. 

To be fair, the balance of 130,000 words stands or indeed falls on the first 1800.

Time and place, main character, inciting incident – hook to keep them reading – that’s a lot of pressure for 10-pages to deliver.  But they do.  Indeed, they do. 

My concession to the reader has been the insertion of 430 words to explain historic context and Celtic folklore – hopefully this will aid and not deter the reader.

Scenes have been deleted in their entirety – where I’d used cruelty to indeed illustrate cruelty, I’ve now pulled back, toned it down – such passages now only to be available in the inevitable ‘collectors edition’ (LOL).

I’ve chopped a few linking scenes, trimmed back any hint of repetition and now hopefully the new version reads smoother for the reader.

I struggle with dialogue, not because I dislike it, but because (IMHO) there is a danger that it slows down the narrative and becomes unnecessary art house indulgent distraction. 

So, in places summaries of the discussion are mentioned and not verbatim copies written. 

Maybe it works, hopefully it works…

I have two main characters – Protagonist Amy Grace & Antagonist Thomas Payne. 

At certain points they are both going in the same direction (the book is a chase movie) and I switch between them as the plot proceeds.

A critique given is that switching POV could confuse the reader – and on that one I am still deliberating.

If one is happy, the other sad, switching POV in the same chapter I hope illustrates the difference. 

One is partying, the other drowning in despair… 

As stated, I’m still looking as to how I can ride both horses – compare and contrast AND keep the POV singular. 

It is taking me longer than I anticipated, but the notes as provided were what was needed. 

And if I may I’d like to give a heartfelt shout out to (and recommendation for) Black Thoughts Editorial Services

It’s been a long journey thus far, but it’s one I’d take again in a heartbeat.

Hug those you love, tell them, stay safe, and do your very best to remain sane!

Short Stories and Shorter Attention Spans

It’s a truth, that some writers, like steam trains, take more than a few yards to really get going.

I’ve tried my hand at short stories, tales under 10,000 words, and failed at EVERY attempt.

The Sorcerer’s Apprentice – this was my best attempt at a short story.  I got a beginning middle and end down all under the magic number. 

The story ended because we’d killed the characters – it was tragic, it was also beautiful.  And then I thought to myself ‘what happens next,’ ‘what if the end is only the beginning,’ and again what was once so promising is now somewhere in its early thirties…

Not that all is indeed lost, I have once (yes just once) managed the keep the word count under 2,000 to describe A Working Man (a door-to-door psycho killer) – the joy that is Flash Fiction. 

However, one swallow does not a summer make. 

Point of all this?

Word counts aren’t an attempt to dumb down books for the scrolling social media generation, but they are something I struggle with.

I blether.

I add colour.

I love telling the tale, telling all of it in wonderful 4KHD, but in doing so I fall too far outside the accepted norms.

Speculative Fiction/Fantasy is the most forgiving genre – you’re allowed to pad it out to ‘world build,’ but even then, the hard stop is 120,000.

That wouldn’t be too bad if I were writing such, but I’m not.

Thrillers/Commercial Fiction, these bad boys have a limit of 90,000 with a strong preference towards 80,000.

By any estimate I’m quite possibly some 40,000 words over the limit.

It’s not an edit, it’s a cull, a murder of the innocents, a blood letting on a truly barbarous scale that is required – and I’m not the man do to do it.

Some skills I have, some I do not.

What will the editor do?

I don’t know.

He’s been employed; coin has been given.

I’ve had a colourful life thus far, but the nervous tension I feel while my work is away being edited is something new and most definitely unpleasant.

This is my first foray, and they say you always remember your first – learn a lot too.

Our timeline has the next milestone mid-January 2026 – we must wait, we must be patient and we must endure.  Here we stand, we can do no other…

Stay safe, remain sane, hug those you love, tell them too. 

Put Up – Or Shut Up!

Or back yourself or back down or… and so it goes on, we all know the premise being discussed.

At some point the music stops and you MUST act.

For me such a time is now.

Is it the ultimate and expensive folly – or a justified exercise in creative expression?

Both, neither?

Only time and participation in the process will tell.

I know the statistics, the possibility of my book, my debut novel, making me untold millions are somewhere in the range between slim to nil.

I get that, I do.

So, I’ve engaged an editor – splashed the cash.

My first foray will be Amy Grace: Payne – a book I started writing in 2017, and now a tale that sits in four volumes and some 500,000 words.

Book one is a standalone tale – it has a beginning, middle and a definite ending. 

It introduces the world to the red-haired wonder that is all 5’2” of Miss Amy Grace of County Leitrim in Ireland.

We take the reader into the world of Celtic mysticism and the warrior priestess that is Babd – we take that same reader on an emotional roller coaster of pain suffering and the struggle to recover from trauma.

We offer up a genuinely bad man (Thomas Payne), but we also allow our nemesis to have depth, to grow, to find true love and to evolve…

We anchor our story around a Cairo brothel – The Dove House, and we spin it around the Anglo centric man’s world of 1884. 

We have the failed relief of Khartoum, fighting in isolated forts in the Noth West Frontier and we end with Cowboy’s in Missoula in Montanna USA.    

Is the world ready, am I?

Never met the editor (IRL) and now I’m trusting him with all those hours of my blood sweat and tears.

Terrified I indeed am.

But the die has been cast- so we must follow through.

Hug those you love – stay sane, and if you can say a little prayer for me.

Of Mice and Men…

Yes, it’s a reference to book by the writer of my favourite book of all time “The Grapes of Wrath” but it’s also a nod to that all important missive about counting chickens before they’re hatched.

It was the best of plans; it was simplicity personified – virtually no moving parts or interdependent actions.

And still it failed.

Of mice and men take a bow…

I wanted to publish my book, I want to publish my book, and I need to publish my book – a demon needs to be exorcised.

Pride must come before the fall, but if I don’t try then I’ll never know – and the not knowing is eating me up inside.

My work may fall flat on its face, it may come across as stilted, contrived cliché driven trope heavy nonsense – or indeed it may not.

The pudding only has one proof and that’s in its eating.

I think it has merit – I truly do.

I’m not that naïve as to think garlands will be thrown at my feet and accolades gifted from on high – but I do honestly think that once read my tale of Amy and her woes will be enjoyed.

She has a journey to take the reader on, some ups, some deep downs, some redemption, and some disappointing failure that will challenge.  Some of it will deliver a wry smile, some of it genuine tears of sadness, but each page will be willingly turned to find out what happened next…

That is my dream, that is my goal.

I had a plan.

It was a simple plan.

All it needed was the due backpay to arrive, the money would then pay for an editor, the editor would help me polish my work and then the absolute best version of Amy Grace: Thomas Payne would be released onto the world.

The editor – his time was booked.

It was all going so well.

And then pride tripped, we fell.

The money isn’t there.

What every year had been a (literal) bankable constant this year is still in stasis.

It will arrive, but no one knows when.

The frustration mounts.

By October I’d hoped to be in the final draft/discussing the artwork phase, and I’m not.

A Christmas stocking filler my work will not be.

It’s annoying.

I’m angry.

I’m barking at the moon – but I’m also helpless.

I cannot influence things; I can only stand in the sidelines as some sort of impassive spectator.

Patience will be my virtue, but frustration at this delay will cut deeply.

The project IS delayed, but NOT cancelled.

I have belief, and I hope you share this faith.

She is worth the wait – she truly is.

Amy IS coming.

Stay strong and hug those you love!

Push Push Struggle Struggle aka The Indifference Engine.

And so, it goes ever onwards.

You write the book, clap yourself on the back, and then instead of cherubs scattering rose petals at your feet and heavenly hosts singing your praises, it all kinda goes pear shaped…

It turns out that all they warned you about is true, they weren’t ghost stories, they are cold hard facts that have zero consideration for your artistic sensibilities – your feelings be dammed!

It’s hard, its cold, and it is indeed true – the cosmos doesn’t care how much blood sweat and tears you’ve invested in your scribbles – not a flicker is recorded.

And those who backslapped and cheered by your side as you wrote your opus – conspicuous by their absence indeed they all are for the next stage.

Its lonely.   

What so dominates your life isn’t even a mere ripple in theirs.

Get used to it.

The cliché it seems isn’t one.

Writing was indeed the easy bit – so if you cried doing that bit, strap yourself in the rest of the ride is wilder than a wild thing and it follows no rules, has no constricting factors, it goes where it pleases, and what pleases it is mostly your pain. 

It’s not that your book is or indeed isn’t well written – again the cosmos doesn’t care – utter tripe will sell by the hundred weight, and literary genius will die in obscurity – it isn’t fair, but it is how it works – accept or die frustratedly and futilely screaming into the void that will never answer back.

The game is rigged against you, the dice most assuredly are loaded in favour of the house, and unless you are a media accredited celebrity you are indeed going to have to put in the hard yards.

Acceptance of this reality isn’t a complaint; it is just a realisation of the uphill struggle that is now.

The deposit on the castle in Scotland hasn’t happened just yet – we’ve a few more hurdles to go before we become the living embodiment of a Halmark film. 

We reserve the right to occasionally feel somewhat down, to at times scream our frustration into the afore mentioned uncaring void – we must vent, for if we don’t, we will explode with all the pressure.

Fall seven, stand eight.

Resilience is lubricated by tears.

Ever onwards, chin into the wind.

Stay safe, hug those you love – remind them whenever you can and do you very best to stay sane!

Polite Society.

Things you do, things indeed you don’t do, and discussing politics it seems is one of those things.

I think we are the poorer for it, especially writers.

Stories are the near obvious vehicle for commentary, for exploring narratives, and yet it seems that this is now a taboo.  Sexuality and relationships are fine – violence never in question, but the ‘P’ word – nope, never never never. 

Where have all the angry young men, those Young Turks, the social commentators, the satirists, and holders of mirrors to society faults failures and darker traits gone? 

What has become of those writers of dystopian social commentary?   

Does the burning of information, the destruction of yesterday’s knowledge in ‘Fahrenheit 451’ still resonate – do we still grimace at the thought of those ‘Firemen’?

Can we see the alienation and inherent loneliness of perpetual self-indulgence in ‘A Brave New World’?  

Is ‘1984’, still the clarion call for freedom and the warning of the abuse of power, is it still read as a horror story and warning to us all – or is it just no longer read, instead reduced to a glib reference?

I’m NOT saying that you must discuss the human condition through a prism of political debate in your writing, but it would be nice if a few more did.

I just feel somewhat adrift from a world that seems to see political discourse as the only social taboo worth obeying.

Is it the fault/failing of social media, is it the fear of a pile on and cancel culture if you mock, deride or merely allow daylight to fall onto modern absurdities?

My woe is for the self-censoring of an art form, an expressive outlet for which any creative restriction is the very antithesis of telling compelling/challenging/interesting stories.

While I weep, while I weep…

Maybe I should tubthump a manifesto novel – maybe I should, maybe I will.

Side profile picture to the world, chin up, hand on lapel, distant and determined look in my eyes…

Hug those you love, stay safe, and try your best to remain sane!  

Echo Chambers + Purity Tests.

Do we want to read to be entertained, and if so, then surly ONLY the story being told counts?

Naïve – seemingly.

Full Disclosure – I’m a bit of a long-term fan of Stephen King.  IT, The Green Mile, Misery – these are books that I have loved since the first creak of the spine, the receipt of that new book smell, and the joyous anticipation as the first page was read all the way to the immense satisfaction as the last one ended the tale. 

His political views have never been a consideration, nor should they ever be.

Be entertained – enjoy it in good faith and move on with your life.

If I found out a writer was a fan of Eugenics, or a devout Christian, I may find this information interesting when thinking about any themes in their work – but nothing more.

This I thought was a near universal mantras, yet it seems I’m wrong.

Purity tests now seem permissive in their prevalence – and unflinching in their dogma.  Yet this dogma flickers in the wind like a proverbial weathervane, and it must be exhausting keeping up to date.

Have we always been at war with Oceania – I’m not too sure… 

Many on social media (yes, I know it’s not real life – but it is a snapshot) routinely declare that they won’t follow such and such because of an opinion that they hold (or often are thought to hold or accused of holding) and when I see this I am at a complete and utter loss.

I sit bereft, truly bereft at it all. 

How can you live your life like this?

Would these people genuinely burn the books that brought them such joy because of an opinion that is different to theirs?

We aren’t talking about people who have raped or murdered, we are talking about folk who just see society from a different perspective and therefore have solutions, from their point of view, that may be at odds with our preferred option. 

The near automatic assumption of malicious intent on those who challenge or differ from our world view is madness – it truly is.

That’s it, that’s my rant.

Open your mind and your heart will follow!

Hug those you love and stay safe and sane.

Rules. 

The are rules for comprehension – this is true, but amongst the writing fraternity the are many unwritten counterintuitive ones too. 

Many will tell you that you cannot do this, and that you absolutely must not do that.

Readers, we are told, don’t like long books, cannot read sentences longer than ten or twelve words, and most definitely bulk away from words with more than four syllables. 

These rules we are told aren’t hints and tips – no they are more serious than that, they are absolute articles of faith – heresy just won’t be tolerated.

The religious tenants stipulate that you cannot show – you must tell, oh and adverbs only with express written permission, and then only sparingly.

If your book reads anything other than as if it’s a rewrite of a Dr Zeus Green Eggs and Ham – you are indeed doomed to fail!!!

To those of the faith, those true to the (w)rite, those pure in the faith also pour scorn upon prologues – never it seems can you set the scene or add important context.

 Then we have the absolute gem around writing from a point of view that isn’t ethnically/spiritually/sexually yours – don’t do it – stay in your lane you cultural appropriating ne-er-do-well!

It does come across as peculiar that those who bang the drum for ‘authentic voice’ must never read Sci-Fi (speculative fiction), fantasy, or indeed really understand the basic concept of ‘fiction’…  but they do have a rule – and that it seems is the only thing that matters. 

Now, as with everything in life, if you step away from the zealots and avoid the chaos of true anarchy, then between the two is the happier path.

And this is the needle I try to thread.

I write long books; I have tales that are not short and pithy.  They are what they are.

I write long sentences – guilty, these I try to shorten and rewrite, but sometimes it is just what it is.

I enjoy delving into the vast ocean that is the English language and playing with the richness of its lexicon – so words can be short or long, but always it is hoped enriching the tale being told.

I show, oh do I ever show.  If the opportunity arises, we show with the unashamed and near reckless abandon, and then just to further add colour to the painted image we add adverbs with additional reckless aplomb.

Point of this missive? 

Some rules exist for a reason, some to inspire, some to influence, and some just to be ignored.

Avoid the petty, keep the aim of telling an enjoyable tale front and centre, and give the reader more credit than the rule screaming zealots.

Stay safe & hug those you love!  

Progress.

So, I’ve written the elusive novel that we all have inside ourselves.

I’ve written that novel, the sequel, the one after that, and then scribbled volume four.   

Half a million or so words taking a young twenty-two-year-old woman from Dromahair County Leitrim, taken her around the world, through deserts and across vast mountain ranges. 

Amy’s flown through thunderstorms, danced with lightning, had gunfights, swordfights tweaked the nose of many an assailant.

She’s done this in Egypt, The Sudan, India, Canada, North America, before finally coming back to Ireland as a 29-year-old whose heart has been broken too many times.

She’s danced with those she loved, lost them too. 

Revenge and vengeance have driven her; magic and a gossiping fairy accompanied her.

Evil men, cruel men, truly sadistic men have cut her, tried to kill her, imprisoned her and stolen her child from her, but by her own hand all who have stood against her have died.

Her story has been written.

The tales of her adventures neatly typed up.

Typo’s, run on sentences that go on and on and on, these where we’ve noticed them, these have been corrected.

Scenes have been polished, the superfluous removed, the remaining tied tighter than a drumskin.

It flows.

No gaps exist, no whatever happened to such and such left unanswered, the beginning meets the middle, and the middle neatly flows to the ending.

I love her tale, her adventures, her journey.

They have merit, and so I’m backing myself and self-publishing.

I looking to unleash Miss Amy Grace unto the world Q1 2026.

Pennies have been saved, the services of an exceptional editor booked, ideas for the cover confirmed.

The best possible version is coming soon, and with the clock ticking so too is your chance to be swept away by five feet and two inches of fierce determination under a crown of flame red hair getting ever closer.

She is worth the wait.

I’m excited.

You should be too!

Coming early 2026 – Amy Grace: Payne