Month: February 2025

Hamlet, Act 3, Scene 1.

/ Neil Bowers / Leave a comment

“To sleep perchance to dream.” 

It is a wonderful quote, contextually a tenuous link, but it does pull you in the right direction.

For those that don’t know, I have incredibly poor sleep.

Rhyme and reason are all understood, and we make lifestyle accommodations to keep things in check.

Relevance to this blog and my writing?

I could say that Amy Grace suffers from terrible sleep terrors – but that would be far too artistic a lurch to try to compare our scenarios.

Her terrors are written in Aptos font 11 for those with a will to read.

Mine, mine are my own, mine to share, and mine to keep to myself.

Mine may bleed subconsciously into my writing in the same manner my unquestionable rejection of unfairness percolate into my tall tales.

Sometimes writing helps sooth the savage beast that screams into my nighttime, sometimes the tap tappity tap of the keys is just the pressure relief that my mind needs – and in that there is so much truth.

And sometimes the mental fatigue of sleep deprivation fogs my thought and holds my imagination hostage to the elusive Will-o’-the-wisp of sleep.  It is kept in view but always tauntingly just that little out of reach – and in that there is so much frustration.

So, big empty void of the internet I am currently in one of those biorhythmic troughs where sleep, sweet restful sweet sleep is absent.  Time of rest, where perchance I may just dream, this time alludes me, and my output suffers for it…

This time will pass as all things in life do, but this known burden, these rough waves I must endure.

Hug those you love, hold them tight and remember that out of darkness cometh light!

Follow that!

/ Neil Bowers / Leave a comment

We’ve all been there, cursed by that singular slice of genius prose that we then must follow.    

What do you do, just how do you take your reader from something that is achingly beautiful – do you just stop and leave this tale as one of those unfinished masterpieces? 

No, of course you don’t. 

You stare for untold hours upon uncounted hours simultaneously celebrating and cursing that near fluke collection of words. 

Dam those typing fingers, and NEVER forget that judging your genius, sitting, standing in the wings loudly rolling their eyes is the spectre of Imposter Syndrome, a monkey that clings to your back with a tighter grip than a third animal trying to sneak into the ark…

It’s purely subjective, a beauty that rests in the eye of the beholder.

But surly at one time all writers must lift their fingers from the keys, whistle quietly to themselves and then look forlornly for a third hand to pat them on the back? 

A few times the planets have aligned, and words have just fallen into place as if they were in the writers waiting room already written patiently waiting for me, the poor teller of tall tales to find them and set them free.

I wrote such prose when I was trying to describe the hanging of a young woman for the crime of killing her newborn child.  I’d set the scene, scattered crumbs of doubt that she was guilty, laid the premise that that hanging would be a terrible crime against real justice, but that inevitably that the law that protects men would blindly proceed.

The gallows were new stripped pine, they cried, the trees that surrounded the sad scene pulled at the at the air and created a storm, rain was pulled back into the cold sky to fall as vengeful stones of ice. The little tragic body was rushed away to a shallow hole in the ground, while men with upturned collars retreated from the storm, away from the crime. Hopefully the reader sheds a tear at the cruel injustice of it all.  I did.  I do every time I reread it.  It runs over a few pages, and I am so enormously proud of my association with it.

But, back to the point in hand, what then, how do you follow whatever you consider to be the epoch of your creativity?

In this instance, being a ‘pantster’ came and bit me with a hard unforgiving tearing of soft buttock flesh.  I had no plan, no script as to what was to happen next, I’d written myself in to an emotionally exhausting corner with no apparent way out…

What to do, what to do?

True to form I drank tea, drank tea as if some sort of perverse prohibition were imminent. 

It didn’t help.

And it did.

Time to breathe is invaluable.

I had to follow this scene, so I did.

Compulsion is indeed necessity, and so I wrote what happened next, and then what happened after page 43 and took the reader all the way to page 337, and a suitable ending was created.

Of all the problems that a creative soul can ever suffer, this one is the most joyous cross to bear. 

So, this missive will end on a positive.

ENJOY the ride, you paid the money, you sought out this white knuckled adrenaline experience, best you enjoy it!

In ending, I remind all to hug those you love, tell them as often as you can just how important they are in this life that you have, and above all stay safe and do your very best to remain sane. 

Why?

/ Neil Bowers / Leave a comment

Back in the black and white days of yore, when dragons still roamed the land and the internet was dial up, all that time ago, I wrote my first book.

I scribbled words together as a rebuff to that contentious ‘best opening line’ debate.  Many enjoyable books have poor openings, and many a great opening line is the highpoint of an extremely poor tale.

It was and remains ever thus.

However, I thought to myself what if I could write an opening line, and then what if I could take a tale all the way from ‘once upon a time’ all the way to ‘the end’?

My foray, my toe dipping moment was agonised over, written, rewritten, and then rewritten again.

I quickly appreciated just how hard it is to write that killer hook.

My offer was – It wasn’t just an isolated cliché, it was more than that, it was a burst of three hot angry and buzzing 7.62mm clichés that struck him hard fast and square in the chest.  They hurt, they stung, they burnt, and just because they could, they hurt him again.

Now, the merit or otherwise of an opening line, I appreciate, is such a subjective matter that has as much to do with prevailing fashions, audience whims as it does actual artistic merit.

A good opening line, or indeed not, it taught me so many lessons beyond stringing the words together.

From this opening line I created a 45,000-word tale.

The resulting book we named after the punishment given to Sisyphus that had him rolling the stone to the top of the hill only for it to roll back down again time after time after time…  an apt metaphor I thought for the (futile) actions of NATO (et others) in the far away plains and mountains of Afghanistan. 

Sisyphus’s Burden set the precedent for all future tales insofar as it was a true ‘pantster’ creation.  It was a journey of discovery as much for the writer as it is for the reader.  This approach has remained with every other tall tale that I’ve created.  I may start with the vaguest of destinations in mind, but the route to be taken is never known. 

My next offer to the world was the result of a pleasant debate around the visual differences (if any) between SteamPunk and Goth – with a slight detour taken to discuss one of my favourite books (take a bow Mr Stoker) Dracula. 

Is this taking us anywhere?

It is, hold on, this is longer than a tweet, but definitely shorter than a book written for a long Russian Winter, so, yes, back to the plot…

If we’d cracked the opening line conundrum AND completed that oft quoted novel that we all have inside everyone of us, then book two was free of any and all constraints – and so it turned out to be.

Many say, ‘stay in your lane,’ or ‘only write what you know’ or more bluntly NEVER attempt to write from the point of view of a character you are not – i.e. a woman, a minority that kind of thing.  How these folk think fiction works – I don’t know, but these are genuinely touted mantras (shocking isn’t it!).

Never one to really understand or indeed accept the rules my next offering was written about a five foot and two inches tall woman.

I chose to write about a woman, because my setting (the late 1880’s) was most definitely a ‘mans world’ AND I chose my female character NOT to be the busty amazonian in short shorts and tight shirts, or that simpering woman always waiting to get rescued by a man, nope with Amy I wanted to avoid those tropes and cliches. 

She’s my attempt at an ‘every woman’ character, a woman that many could relate to.  She fails, she is cut, she is violently beaten and abused, but she survives.  And this theme of violence against women was one I wanted to get right, not to abuse, not to trivialise or titillate.  Cuts hurt, scars remain, and nightmares come back.

Risks are taken, and real-world consequences paid.

We added into our mix a dash of SteamPunk with an eccentric professor and a gifted flying machine, and we sprinkled this tale with a liberal dose of magic, fairy tales and Irish mythology.

The rules say that such a tale should sit around 80,000 words – volume one sits at 130,000.  You are also told NOT to write a series before you’ve managed to sell book one…  Amy and her adventures are four complete tales with a fifth in the works.

All of this may explain why I’m currently failing to succeed in the traditionally published market – an industry seemingly dominated by cold and timid souls whose idea of risk taking is commissioning yet another ‘Twilight Saga’ teenage romance by numbers missive…

Could be that, or indeed my tall tales are indeed without merit – could be option B.    

So, while we contemplate the many mysteries of the publishing world, while we stare at that knot that ties the oxcart to a wall, while all these things happen, while the sands of life trickle through the timer, while all of this (and long sentences) continues, I wish you all the best that life has to offer – stay safe and hug the ones you love!!!